The Munich Mannequins by Sylvia Plath, self-portraits


"Perfection is terrible, it cannot have children.
Cold as snow breath, it tamps the womb


Where the yew trees blow like hydras,
The tree of life and the tree of life


 Unloosing their moons, month after month, to no purpose.
The blood flood is the flood of love,

The absolute sacrifice.
It means: no more idols but me,


Me and you.
So, in their sulfur loveliness, in their smiles

These mannequins lean tonight
In Munich, morgue between Paris and Rome,

 Naked and bald in their furs,
Orange lollies on silver sticks,

Intolerable, without minds.
The snow drops its pieces of darkness,


Nobody's about. In the hotels
Hands will be opening doors and setting

Down shoes for a polish of carbon
Into which broad toes will go tomorrow.

 O the domesticity of these windows,
The baby lace, the green-leaved confectionery,

The thick Germans slumbering in their bottomless Stolz.

And the black phones on hooks


Glittering

Glittering and digesting


Voicelessness. The snow has no voice"

"Longing. Longing for a wave of love that would stir in me. That's what makes me clumsy. The absence of pleasure. Desire for love. Desire to love."



Something unusual is happening to me.  I have been hiding behind something hard and wrought out of pain, but a weakness has been found. My flesh is still soft. It can be touched and it can be pierced. Mortified. Emotion will seep from the wound. Feelings. Softness. Vulnerability. Longing. Warmth and the chill that follows. The words are bitter in my mouth. For so long I have wanted to ignore this part of myself, the part of me that needs. The part of me that is engulfed in loneliness and is beginning to realize it. The veil is lifted, so to speak, and I am seeing that nothing is there. No one is there. I am alone, and I am alone by my own doing. I have been deluded. I have manipulated myself into thinking that loneliness is strength. My loneliness makes me weak. My loneliness hurts. I do not want to be lonely any longer, I want to revel in my vulnerability. I want to share that with other vulnerable people. I want to share. I want people. I want.  Those words, they don't feel natural yet. Something in my chest pines for it, though. It yearns for touch.



I get asked a lot of questions about what I do. What I do for a living, for fun, in my spare time, what I plan to do, what I want to do, what my dreams are, if I have any. Simple question, one might think is it not? I feel so deficient for not being able to answer these questions. I feel embarrassed; not because I think I am going to disappoint the other person, but because it is an utter disappointment to myself. "What do you do" was not always the vexing question it is today. I used to have ambition for myself, and it used to not feel so out of reach.

What changed? It feels sometimes that the change was sudden. Sharp. Violent. One day I walk into a house party and see faces I have not seen in months because I have become a recluse. I scramble to remember their names, because names yield little importance when you are so used to being alone. I sit down. I get a drink. A face that is familiar, or should be, leans in apprehensively. "So what have you been up to?" The silence is deafening. It is hungry and it seems to consume the room like a black hole focused on the space between us. I can't mutter a response because I don't know. What have I been up to? Is it appropriate to tell the truth? Is it appropriate to be honest about why I have not been around? Or do I shrug, take a casual swig from a drink, and say "Stuff".

The truth is, I have been slipping slowly. The descent has been like a glacier's glide, hardly perceptible. I have been slowly disappearing over the years and becoming a ghost. Forgotten. Trapped between the layers of one dimension and the next. I can still watch the world change and I can still see people scurry about productively with their lives, but that is all I do. I see. I watch. I idle. I am aging with little of the wisdom or experience to bout. I am almost 20, but that is only what the calendar says. The calendar lies. My sheepish demeanor and my many fears confess a much younger age. Maybe five, maybe fifteen.

In high school the quintessential book that every disenfranchised teenager grovels over, is Catcher in the Rye. That is the book that was supposedly written for them, the book that reaches across the chasm of the decades and speaks to something that is just as unalienable and familiar in us. That was not, however, my book. That was not the book that 'spoke to me'. My book was The Metamorphosis. I could not relate to Holden, but I could relate to poor Gregor. So passive in his own life, that his absence became not only unimportant, but a service. The relinquishment of a great burden, of an existence that was barely there. A creature, not human, but an insect, some nameless beetle unworthy of being identified by a species. Perhaps he is the only one. I still feel like Gregor Samsa and I am just now being roused from my dream. I realize that everything has changed. I scurry in the shadows and I feed off of decay, occupying a flesh that is foreign and that I resent. Was this transformation really so sudden? Was I ever even human? Was I ever even living?



I think I used to be human. I think I used to be alive as well. I used to want to go to Germany and study to become a neuropsychologist. I wanted to have my own apartment and studio space and to devote my spare time to my art--drawings, writings, and photography. I used to read in my spare time and have a passion for discovering new music and movies. I used to let off pent up frustration by going to local shows and dancing. Writhing. Moshing. Being passionate. I cannot define passion anymore. I used to walk a lot. I used to take busses around town and explore alleys and seedy sections of town and take pictures. I used to hate staying still because it made me restless. I was a theatre nerd. I loved acting even though I was never very good at it; I dabbled with stage tech, but acting presented more of a challenge and I loved a challenge. I was a member of my high school's theatre department for three and a half years. I used to love school, and was a rare breed of teenager who requested extra credit. My favorite subjects were world religion, history, and english. Oddly enough I hated art. I hated a lot of things, and although at the time it seemed like one of my biggest flaws, I don't think so. I would love if my body contained the energy for hate. Hate is misguided passion, it is a reservoir of energy waiting to be properly channeled. I lack that now.



I used to do odd jobs for money. I always had a summer job because I knew that extra-curriculars would be important for college. That's right, I had ambitions of college and felt worthy of an education. I waited tables one summer, but discovered I was pitiful at it. I abandoned that profession for more solitary ones. I wanted to work in an animal hospital because I figured animals were easier than people. I never had enough experience, so I settled with secretarial work instead. I was planning to work my way up. That never happened.

I became homeless at 17. By my 19th birthday I was sitting in a residential psychiatric facility. I would spend six months there. I retreated like a roach into my apartment. That small space that hugged me like a womb. How does one climb out of a grave they have dug themselves for so many years? I can't see the exit. I know it is there, but what is the use when I cannot see it. Can I climb out, or is the only escape to lie in it?


Am I a beetle yet? Or am I still dreaming?







That was my daily dose of melancholy.
What can I say? The holidays bring it out in me.
I am still searching for that human piece of me, still determined that I am not
yet transformed. I am determined to find the softness beneath my exoskeleton and the 
person who has ambitions and self-respect and the passion to pursue it.
I feel like this venting of negativity is sometimes necessary. It is the shedding of old skin.
Old shells. Calluses. I believe, perhaps foolishly, that I can move on. 
Addiction with all the sadness and psychoses that it brings, is as draining for loved ones as it is for the sufferers themselves. The eye of the storm is after all the calmest place to be. So calm, that it is tempting to forget the assault that is going on all around us. I always knew this assault would prove to be too much; I knew that he would grow weary of the burden our love entailed. Sick people, while they remain in their sickness, are not made for other people. We are not worthy of them nor of their love. 


That is just the way of addiction; it tightens its vice and suffocates anyone that is near to you. Our addiction wants you to be lonely and to ensure that you will welcome that loneliness. So we kick, scream, bite, pull away, and isolate ourselves unaware of what  strings our limbs are tangled in. It is hard to love someone like us. Fucked up people like us. Puppets for our addictions like us. Even the most dedicated co-dependent or the most self deprecating masochist will usually give up after enough sabotage and histrionics. We and our addictions are low and lonely creatures. We were wrought out of pain and will not rest until we have turned that pain into something that is palpable. It will fester like an infection in the hearts of all those who dare to love us, and it will lay waste to them. The trophy of the addiction, not of the addict, is that trail of dead. I could build Empires with their bones.


I fear that people like us have so much weight to bear that it eventually will crush us. It is not a brilliant or energetic destruction; it is a slow destruction as we collapse under the pressure of our own emotions. We become like black holes, reflecting nothing yet swallowing everything. We become a void. We become a vacuum of hope. 






I fear that I am one of those people and that I lack the courage to change myself. I have sucked him in and he has stood, waiting, at the precipice of an angry vortex.


I lost the one good person that I had left. But I don’t feel it. I don’t feel it. Thank God I don’t feel it, even though the numbness terrifies me. I could feel my own tears gather, but they would vanish soon. I knew that life would hurt, but I know what could lull it all away and that is good. That feels good. It removes from my body its obligation to feel anything at all. I don’t feel anything at all. Not pain, not fear. Intellectually, it scares me how little I feel, but that’s it. It ends there. I’ll be drunk off of my apathy soon. I don’t care and I can’t feel it. My flesh is here, but I am not. 

A Letter to Los Angeles

I am in a very odd mood today. It's 2:45 PM and I am still in my pajamas. I am contemplating brewing a cup of coffee, but the forecast looks grim regarding whether or not I will be venturing outdoors today. It is a charming day by all accounts; the sun is out, the clouds have been blown to some other remote stretch of the sky, and I hear birds! Yet, I am less than enthused by the warming weather. Spring time in Southern California is almost as depressing and incomplete an experience as Christmas. I miss Spring in Ohio. In California it is hard to get a feel for seasons as they change. Spring in Los Angeles smells like smog. As the weather gets warmer, that thick layer of airborne chemical debris becomes suffocatingly thick. It's like inhaling molasses.



I don't plan to live in Los Angeles forever, and I don't think that I will especially miss it when I leave. The fabled free spirited holy land promised by the Beats of yesteryear was either nothing more than an elaborate piece of fiction, or it has died long ago. The Los Angeles that I had put on a pedestal because of Kerouac is pallid and sad in reality. In the flesh, Los Angeles much resembles its aging residents.



On film, it is a beauty. It is flawless. It looks trapped in amber, or perhaps, in plastic. But as you stare longer and more intently at its face, the smile is suspiciously stiff. There is something incongruent, strained, and possibly painful in the eyes. Then you begin to notice the unnatural sheen of its flesh and the lack of softness, too. Tiny veins and scar tissue emerge. Los Angeles is a pretty face that an ugly person purchased. It's been injected, nipped, tucked, and airbrushed until it resembles life, but is not truly alive.



When you can revel in all that is dirty, fake, and depraved about Los Angeles, the place can be kind of interesting. It's not hard to understand why creepy connoisseur David Lynch would find so much inspiration in this city. This city is absurd. A paradox with a zip code. You can attend an event at The Walt Disney Concert Hall. You can have a five star dinner that evening, because Los Angeles is a culinary Valhalla. Be careful you do not stray too far to find a bite to eat, however. If you venture too many feet from the concert hall, you will be lost in a foreign place. Drive five minutes and the roads will disintegrate beneath you. The cost per square foot plummets and the sidewalks bustle with more tents than a Boy Scout troop in Yellow Stone. No more than a few minutes away and you've found yourself in Skid Row. A far cry from how majestic the rest of Downtown looks, this is a place where people can't even find a place to shit let alone get a five star meal.



Los Angeles is a very special and surreal place to live; the poor reside on the front lawns of the nauseatingly wealthy. De facto segregation is King yet no one admits it. The murder rate is almost as high as the (overpriced) cost of living. Police Helicopters are routine background noise. Everyone owns a Hybrid. Borderline Orthorexic dietary fads are circulated like hand bags. Being able to overly medicate yourself or your children on name brand (and unnecessary) pharmaceuticals is a sign of status. Everyone is gorgeous and insecure. Communities are gated. People wear their political correctness like lipstick, yet the general populace is incredibly xenophobic and prejudiced.



Los Angeles is superficial and yet so engrossed in the act that it doesn't even know it. It's a kingdom built on fiction and suspended in denial. The wealthy postpone youth by injecting it into their faces, and everyone ignores the fact we are a man-made oasis built on a desert that shouldn't even be here. Los Angeles is an odd place, and therein lies its charm. You have to submit to it or learn to appreciate its flaws in order to survive it. Unfortunately, either option leaves you jaded. Living in Los Angeles is bad for a person's health. This is why I must get out. I will never forget you dear city of Angels, but I cannot psychologically afford you.

I'm sorry I am so absent and will likely continue to be absent until my energy returns. My apologies!


Here is a song as a parting gift.